inmyriadbits: oranges on blue (weirdhouseeyebrow)
A scene from the bus this morning:

ME: *finally starting Naomi Novik's Blood of Tyrants and very excited about amnesiac Laurence*
OLD GUY: *gets on bus, sits next to me*
ME: *reads page two*
OLD GUY: *suddenly* Is that a book about Jesus Christ?
ME: Uh...no. It's a book about dragons. And the Napoleonic Wars.
OLD GUY: What?
ME: Dragons.
OLD GUY: Oh.
*awkward silence*

Just...what.
inmyriadbits: (tequilalimeotp)
I like TurboTax. It makes it easy enough to file your taxes that you can do it while, say, three margaritas to the wind after celebrating a recent promotion.

Not that that is a personally-relevant example or anything... >.>

(p.s. Katie just finished the second book in The Girl With The Dragon Tattoo trilogy, and she actually threw it away from her, grabbed up the third book, ripped off its dust cover, and frantically flipped to the first page. Yeah, it's that kind of cliffhanger. :D)
inmyriadbits: oranges on blue (happypinkpartysombrero)
Pick up the book nearest to you. Turn to page 45. The first sentence there describes your sex life in 2012:

"I had to blow up half the mountain, but, boy, it did the trick!"

(Hee. Sorry, I couldn't resist! Quote courtesy of The Adventures of Tintin: Tintin in America, hilariously enough.)
inmyriadbits: oranges on blue (bookslibrary)
So, this is basically me, when I go to the library:



...um, yeah. Today, I renewed my card, paid my dues, and got seven different Band of Brothers-related memoirs/autobiographies and three different Tintin compilations. They wouldn't let me re-check out the four books on WWI-related topics that had reached their renewal limits, how sad. I already had a whole 'nother stack of books at home on WWI war poets, plus a collection of Lord Peter Wimsey short stories, in addition to all the non-library books I own.

But at least I didn't succumb to getting any The Pacific-related memoirs! I even was holding one of Robert Leckie's books in my hand, and put it back on the shelf. (If it had been Sledge's, I probably wouldn't have been able to do it.) Still, aren't you guys proud? :D?
inmyriadbits: oranges on blue (lifesolitaryzen)
Dear The Internet,

Does anyone have any recommendations for really good travelogues? (You know, books that are basically memoirs about traveling across Africa or through a famous city or something.) I would really appreciate any you might know.

Thanks,
Lindsey

29

Oct. 3rd, 2011 03:14 pm
inmyriadbits: oranges on blue (Default)
Twenty-nine is the number of books I have lying around my room in piles, in the process of being read. These are not to-read; they have all been started to some extent or another. *sigh*

Three are from the library:

- a Lord Peter Wimsey short stories collection (I have re-checked this out SO MANY TIMES now)
- two Pippi Longstocking books (re-reading, because this fic made me all nostalgic)

Thirteen are fiction:

- Death Masks by Jim Butcher (fifth in the Dresden Files)
- The Complete Sherlock Holmes, Vol. 2 (my sister and I are reading these out loud with each other; we've stopped midway through Hound of the Baskervilles)
- Fragile Things (three short stories in; still in love with "A Study In Emerald", so I keep re-reading that and then forgetting to move on to the rest of the book)
- Hourglass by Claudia Gray (oh the shame, I am so behind on this lovely series)
- Fateful by Claudia Gray (WEREWOLVES ON THE TITANIC! I haven't actually started yet, but I've been enormously excited about it ever since [livejournal.com profile] claudiagray told me about this great idea she had, while we were drunkenly sharing a cab home)
- Sunshine by Robin McKinley (borrowed from [livejournal.com profile] katieupsidedown, I ♥ Robin McKinley)
- Naked Heat by Richard Castle (professional Castle fanfic!)
- Traitor's Moon (fourth in the series)
- Very Good, Jeeves! (what ho!)
- Busman's Honeymoon (still haven't read this, embarrassingly. I get all weird and "OH NOES there will be no more new [Sayers-written] Lord Peter after this!" about it, which I know is silly)
- Metamorphoses (Ovid is the shit, guys. Also, these stories are batshit. But they're kind of great for ideas, because when )
- The Westing Game (I never read this as a child -- which I realized on my unsuccessful hunt for our copies of Pippi Longstocking, before I gave up and hit the library -- and think I missed out there)
- Frankenstein by Mary Shelley (because I never really read it in school when we were supposed to, and not at all because Erik refers to himself as Frankenstein's monster in XMFC, nope....)

Six non-fiction:

- Unpopular Opinions by Dorothy Sayers (I'm looking forward to the jokey examinations of Sherlock Holmes canon, such as "Holmes' College Career" and "Dr. Watson, Widower"; I posted scans of a few essays from this here)
- The Monster Show: A Cultural History of Horror by David J. Skal (one of the coursebooks for my horror films class, which I loved but didn't quite finish; it's enormously fun)
- My Wicked, Wicked Ways by Errol Flynn (his autobiography, which I picked up used from a street vendor in NYC; it is written in the most ridiculously tongue-in-cheek, self-important style, and clearly full of tall tales, so I have fun with it)
- Imbibe! by David Wondrich (a wonderfully nerdy bartending recipes/history of mixology book)
- Bartender's Bible (what it says on the tin: lots and lots of drink recipes)
- Vagabonding by Rolf Potts (no relation to Pepper, I don't think. Traaaaavelling *longing eyes*)

And seven re-reads:

- Strong Poison
- Have His Carcase
- Gaudy Night by Dorothy Sayers (all of the Harriet Vane books of the Lord Peter series, which I am not at all re-reading for the purposes of writing a The Eagle AU, no sirree....)
- Diplomatic Immunity by Lois McMaster Bujold (where I stalled out on my epic Vorkosigan Saga re-read. I'm so close!)
- The Big Con by David Maurer (because ♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥)
- The Twits by Roald Dahl
- The Little Prince by Antoine de Saint-Exupery (both also added to the pile during the great Pippi Longstocking bookhunt)


It's all getting rather ridiculous. NO MORE NEW BOOKS UNTIL THESE ARE FINISHED.
inmyriadbits: oranges on blue (castlewriting)
So, I'm reading this romance novel, because what else are you supposed to do when taking a long bath with a glass of wine? (Also, I got about halfway through it months ago before getting bored, and it's just been sitting around annoying me every since.) It's not that bad, if somewhat pedestrian; it's The Search, by Nora Roberts, and while it's fairly typical, it's amusing enough. The male lead is rather charmingly grumpy, and the stuff about canine search-and-rescue is actually pretty interesting, and the book abounds with adorable dogs. The serial killer bits are frankly giggle-inducing, though; I would really like to sit Nora Roberts down with some Criminal Minds and some textbooks before she attempts any more serial killer novels.

But it's driving me completely insane. Why, you might ask? Well, it's the fucking dramatic pauses.

No, wait, I take that back. Movies have dramatic pauses. Plays have dramatic pauses. TV shows abuse dramatic pauses. But the modern romance novel, apparently, has dramatic paragraph breaks. They come complete with sentence fragments, did you know? Oh my god, it drives me up a wall. Here's an example:
"Given what she did for a living, and the gardening she'd be working on throughout the season, Fiona knew manicures were a waste of time and money.

But this was Indulgence Central.

Their last day, too, she reminded herself. She might as well make the most of it -- and go home with pretty fingers and toes even if she'd mangle them within twenty-four hours in reality.

Besides, it felt good.

She admired the breezy, beachy pink on her short but currently well-shaped nails as she slid her feet into the warm, churning water at the base of the pedicure chair. A chair, she thought, that offered a slice of heaven as it vibrated up and down her back.

Cindy, who'd given her the pretty nails, brought her a cup of water with thin lemon slices floating in it. "Comfortable?"

No, Cindy. No, I am not, but thank you for asking. But, I mean, really? We have: One sentence, paragraph break. One sentence with poor grammar, paragraph break. Two sentences, paragraph break. Very short sentence, paragraph break. Two sentences, paragraph break. One sentence and one word of dialogue, paragraph break.

OH MY FUCKING GOD.

I mean, I understand the value of a good dramatic paragraph break. They're great! A well-timed paragraph break can be a work of art. But YOU ARE WRITING ABOUT THE MAIN CHARACTER GETTING A PEDICURE, NORA ROBERTS. WHY ARE DRAMATIC PARAGRAPH BREAKS NECESSARY? FOR ALMOST 500 PAGES?

...I've noticed this in fic sometimes, too, so Nora Roberts isn't the only guilty party. *eyes you all sidelong* What ever happened to a nice, well-crafted paragraph? What ever happened to not dramatically adding a paragraph break in the middle of a character's dialogue and then not ever formatting the quotation marks properly? Was her editor in a coma during all of this?

And most importantly: WHAT THE FUCK IN WRONG WITH PEOPLE THESE DAYS. GET OFF MY LAWN, YOU DELINQUENTS.
inmyriadbits: oranges on blue (mentalistchoyay)
1. I went on a massive Fringe-meta streak a few days ago (mostly here), enabled nicely by [livejournal.com profile] ignipes, who kept saying interesting things to spark me off. She then wrote a great post about Olivia Dunham which I recommend to anyone who was/is reluctant to watch Fringe based on their first impressions of her or things they heard other people saying back when it started (or interested in Olivia, or in female characterization on TV, or whatever). I was a little uncertain about Olivia when I started watching, too – so you can trust me when I say that I am REALLY HAPPY I got over that with some more watching. *nudges everyone in the direction of the pilot*

2. Isn't it disconcerting when you run across something and don't remember anything about it or where it came from? It's a bit similar to the feeling I get when going through old journal entries and thinking "Gosh, that's rather clever, but I don't remember saying it at all..." The case in point today are some old bookmarks linking to pictures of two thousand-year-old papyrus fragments with bits of The Odyssey written on (from Books 9 and 11, Book 11, and Book 17). I thought it might be from one of my classics courses, but the date says they're from the winter after sophomore year when I was withdrawn from school. My best guess now is that maybe a classics geek from my flist linked to them... They ARE pretty cool. They remind me of a school field trip to see the Dead Sea Scrolls, when I spent so long wandering through the exhibit that they had to send someone back in to find me because the buses were leaving. :D

3. Speaking of nostalgia, I would like to link (again) to this poll, which takes the cake as My Favorite Poll Ever, Fullstop. It makes me laugh and laugh and laugh. Go on, click on it; you won't regret it. :D

4. Oh, hey, did you guys notice that Lie To Me started again on Monday? SO EXCITED! Tim Roth was all terrible posture and intensity, Jason Dohring (aka Logan Echolls on Veronica Mars) guest-starred as a psychopath, and Brendan Hines and Monica Raymund spent the entire episode looking foxy in spite of Loker's terrible shirt (which he made fun of himself, oh, Loker). ♥
inmyriadbits: oranges on blue (holmeswatsonnewspaper)
We went to a Hitchcock serial killer double feature tonight (Frenzy and Psycho). I found myself thinking of this Sherlock Holmes quote a lot during Psycho. Also, weirdly enough, during the old trailer for Alien they played, because the "In space, no one can hear you scream" tagline is rather bizarrely appropriate:

By eleven o'clock the next day we were well upon our way to the old English capital. Holmes had been buried in the morning papers all the way down, but after we had passed the Hampshire border he threw them down and began to admire the scenery. It was an ideal spring day, a light blue sky, flecked with little fleecy white clouds drifting across from west to east. The sun was shining very brightly, and yet there was an exhilarating nip in the air, which set an edge to a man's energy. All over the countryside, away to the rolling hills around Aldershot, the little red and grey roofs of the farm-steadings peeped out from amid the light green of the new foliage.

"Are they not fresh and beautiful?" I cried with all the enthusiasm of a man fresh from the fogs of Baker Street.

But Holmes shook his head gravely.

"Do you know, Watson," said he, "that it is one of the curses of a mind with a turn like mine that I must look at everything with reference to my own special subject. You look at these scattered houses, and you are impressed by their beauty. I look at them, and the only thought which comes to me is a feeling of their isolation and of the impunity with which crime may be committed there."

"Good heavens!" I cried. "Who would associate crime with these dear old homesteads?"

"They always fill me with a certain horror. It is my belief, Watson, founded upon my experience, that the lowest and vilest alleys in London do not present a more dreadful record of sin than does the smiling and beautiful countryside."

"You horrify me!"

"But the reason is very obvious. The pressure of public opinion can do in the town what the law cannot accomplish. There is no lane so vile that the scream of a tortured child, or the thud of a drunkard's blow, does not beget sympathy and indignation among the neighbours, and then the whole machinery of justice is ever so close that a word of complaint can set it going, and there is but a step between the crime and the dock. But look at these lonely houses, each in its own fields, filled for the most part with poor ignorant folk who know little of the law. Think of the deeds of hellish cruelty, the hidden wickedness which may go on, year in, year out, in such places, and none the wiser. Had this lady who appeals to us for help gone to live in Winchester, I should never have had a fear for her. It is the five miles of country which makes the danger."
The Adventure of the Copper Beeches


Doyle could really bring the creepy when he wanted, huh? I remember it quite caught my attention. It's such an interesting inversion of the usual way people view crime in cities vs. suburban/rural areas – basically, that cities are wretched hives of scum and villainy, and the countryside is peaceful and quaint and polite. I prefer Holmes' view; human nature is human nature, good and bad, wherever you are, which means human crime doesn't go away when you add more trees. this became a much longer piece of meta; I went into this just planning to post the quote, but my brain just won't shut up... )

Comments and debate welcome! It's so boring to be completely agreed with, don't you think? ;)
inmyriadbits: oranges on blue (bookslibrary)
1. Grab the nearest book.
2. Open the book to page 123.
3. Find the fifth sentence.
4. Post the text of the next 4-7 sentences on your LJ along with these instructions.
5. Don't you dare dig for that "cool" or "intellectual" book in your closet! I know you were thinking about it! Just pick up whatever is closest (unless it's too troublesome to reach and is really heavy. Then go back to step 1).


I was tagged for this by [livejournal.com profile] gingerwall, and am thereby honor-bound to carry out my duty, but I was immediately faced with a terrible dilemma. I'm sitting on the chair in my room, which is right next to the bookshelf that extends out perpendicular to the wall, thus leaving about half of the books I own eligible for the claim to "nearest book" fame. Luckily, I noticed that the stack of library books on the floor were sticking out a slight bit closer than the bookshelf, so I took the top one:

"I am the less surprised at what has happened," replied Sir William, "for her superior mastery of the deadly arts and high breeding are known throughout the courts of Europe."

Scarcely anything was talked of the whole day or next morning but their visit to Rosings. Mr. Collins was carefully instructing them in what they were to expect, that the sight of such rooms, so many servants, a personal guard of five-and-twenty ninjas, and so splendid a dinner, might not wholly overpower them.
—from Pride and Prejudice and Zombies, by Jane Austen and Seth Grahame-Smith

♥___♥
inmyriadbits: oranges on blue (Default)
If I were trying to start reading Dorothy Parker, where might all you kind flist people recommend I start?

*solicits advice* :D?

ETA: For some reason, it REALLY ANNOYS ME that there is not one giant collection of the Jeeves & Wooster book canon out there that I can buy. Apparently I must buy all 35 short stories and 11 novels piecemeal, or in overlapping handfuls. *grumps* I am one unhappy compulsive completionist right now.
inmyriadbits: oranges on blue (holmeswatsonnewspaper)
One of the last things I did before leaving New York City and my college was return a bunch of library books. This grand undertaking involved three trips, several giant cloth shopping bags, and the assistance of my twin to achieve. I was most saddened by the necessity of returning a collection Dorothy L. Sayers essays, titled Unpopular Opinions. I'd only managed to work my way through two of the essays – "Aristotle on Detective Fiction," which rather awesomely uses Aristotle's Poetics to analyze the detective genre; I discuss the other essay further below.

Sayers is best known for her Lord Peter Wimsey detective novels from the 1920s and 1930s, which is how I was introduced to her work. In fact, it was the reason I even found Unpopular Opinions in the first place – I was having a crisis of faith, academia-style, and the best remedy I could imagine was a prompt application of Sayers' Gaudy Night.

It worked like a charm, with the bonus discovery of an entire two shelves of books that included Sayers' essays, plays, criticism, and collected letters. (I spent several hours sitting at a carrel doing good-parts-version re-reads of Strong Poison and Have His Carcase, and paging through her letters. Homework, what homework...) Anyway, I checked out Gaudy Night for a full re-read, and Unpopular Opinions for kicks. To give you an idea of why I mourned its loss, here's the book's opening:

"I have called this collection of fugitive pieces "Unpopular Opinions", partly, to be sure, because to warn a person off a book is the surest way of getting him to read it, but chiefly because I have evidence that all the opinions expressed have in fact caused a certain amount of annoyance one way and the other."

Who doesn't want to read a book starting off like that? In all seriousness, I adore Sayers' brain. She combines the intellectualism of an Oxford graduate with a refreshingly grounded, humanistic outlook on life, and a talent for effective and witty debate that she no doubt sharpened on friends like C.S. Lewis. The results make for great writing.

Anyway, I was reminded of the book for two reasons, the confluence of which led to my tracking down and buying a used copy of this (sadly out-of-print) book from a British vendor. 14-45 days shipping time, baby! But it's in great condition. :D?

Reason The First: my friend makes one little comment about feminism, and this is what happens )

Reason The Second: all roads lead to Holmes )

All right, that's enough of that. See what my brain does? One tiny comment in someone's comments and one current fictional obsession, and I end up writing all this and linking all over the interwebs. And I'm restraining myself here. *shakes head*
inmyriadbits: oranges on blue (holmeswatsonnewspaper)
Judging by the utter lack of response to my post on the context Watson left out when he describing his time as an Army doctor (seriously, how lucky is that guy even to be alive, much less successful? And he makes for excellent h/c fodder...), I get the feeling I am alone in my obsession with Sherlock Holmes' historical context. But I will inflict this on you all anyway. :D

I'm reading an excellent book on mid-Victorian London (check out the limited preview on Google Books; the contents page alone is drool-worthy, and the writing is lively, engaging, and well-researched), and ran across this in the endnotes:
There is an intriguing story in the annals of the Bank of England relating to the sewers: the Directors had ignored an anonymous letter warning them of an imminent raid on the Bank's bullion, but they finally agreed to meet their informer, at night, in the vault where the bullion was stored. Sure enough, the miscreant emerged through the floor, before their very eyes. The Bank's records include – 'in May 1836, having reason to apprehend danger from our sewers, it was discovered that an open and unobstructed sewer led directly from the gold vaults down to Dowgate'. The informant, a working man who had heard of the plot while he was repairing the sewers, was awarded £800.
Does this remind anyone else of I can't believe I'm cutting for 119-year-old spoilers )
inmyriadbits: oranges on blue (holmeswatsonnewspaper)
Last night, I saw Enemy At The Gates with Jude Law as a famous Russian sniper in the Battle of Stalingrad. Since it is way too depressing a prospect right now to think serious thoughts about a) WWII, b) the millions of people who died in that battle, c) all the characters who die in the film, or d) melodramatic adaptations of real events, I have some shallow ones for you all instead:

1. Very important observation, this one: Jude Law is a damn good-looking man, even when he's covered in dust/mud/blood/etc. (Maybe especially then, because it makes his eyes stand out all the more.) Also, I don't know how he did it, but he made his face look Russian. I'm not sure how that's possible, but somehow, he made it happen.

2. Rachel Weisz is a damn good-looking woman. I think I would like more films where she is a sniper, thank you. She's also exceedingly likeable; I have yet to see a film in which I didn't like her character, even when there were things I didn't like about the character. That's a great quality.

3. Holy shit, that one scene ). *fans self*

4. Ed Harris's character was a bastard, but I do love me a competent antagonist. I sorta wish that one spoilery thing hadn't happened ). But then again, I'm biased toward making villains a little sympathetic, thereby to make their villainy the more awful.

5. I admit...I am now left imagining Afghanistan-era Dr. John Watson. And it's not even all Jude Law's fault; the same thing happened to me after the "Bastogne" episode of Band of Brothers, because, well, Doc Roe (♥ he's my favorite!).

long tangent about Watson's self-narration and his time in the Second Anglo-Afghan War )

All right. I'm off! Katie and I are visting [livejournal.com profile] gingerwall for the next couple of days. I am leaving my laptop and bringing books. There will probably be drinking, movie-watching, and general town-painting of the crimson variety. \o/! We drive back in the day before our birthday (Wednesday the 10th), then [livejournal.com profile] claudiagray is in town on the 11th, and then SXSW STARTS ON THE 12TH WHOOOOOOO!

It's looking to be a good week, is what I'm saying. :D
inmyriadbits: oranges on blue (schoolbus)
I really wish I had a work ethic right now.

I have to write this paper (8-10 pages, technically due 8 hours ago...), which is late, which is unfortunate because after I write that paper, I have to write another 8-10 pager due Monday at 2pm. And then I have a take-home final (another 8-10 pages, plus a "short answer question" that is impossibly convoluted, and for a "single question" has about fourteen parts, and could be the basis for a dissertation rather than a short answer) due Wednesday by 5pm.

Which means I have to write 24-30 pages in the next four days (and then 20 pages in the four after that!), and I simply cannot get started on the first one. ARGH. It doesn't help that a) I haven't actually finished reading the book I'm writing about, Nightwood, and b) Djuna Barnes writes in an incredibly intricate way, which is fine and dandy when I can linger over passages like
Nora had the face of all people who love people -- a face that would be evil when she found out that to love without criticism is to be betrayed. Nora robbed herself for everyone; incapable of giving herself warning, she was continually turning about to find herself diminished. Wandering people the world over found her profitable in that she could be sold for a price forever, for she carried her betrayal money in her own pocket.
I mean, isn't that fantastic? She carried her betrayal money in her own pocket, that's such a great line. But you see my problem: the ENTIRE BOOK is like that, and it is exhausting, especially when I don't have time to read it. The novel is also very personal, which is a good quality in that it has the intensity that only comes from truly passionate writing, but can also be incredibly obscure and leave you cold.

Anyway. I'm trying to write this damn paper, and I'm hamstrung by the fact that I need some sources from the library, but the college in its infinite wisdom closes our library at 6pm on the Saturday before finals week (something I did not know until I tried to get into the stacks at 9:30pm last night; they're open till 11pm on weekdays) and doesn't open until noon Sunday. I NEED TO WRITE MY FUCKING PAPER, ASSHOLES. Grrrr. Our prof wants the paper to be ~interdisciplinary~ and have fucking primary AND secondary sources, which is all very cool in theory if I had some motivation or time or had slept. Or had library access.

At least I'm writing about horror films and film theory. That's fun.

I feel bad; I was making breakfast at 5:45am-ish and burned the toast, which set off our smoke detector right outside my suitemates' room. D: I managed to get it off fairly quickly, but still. /o\

So...encouraging words would be nice? Commentfic. Funny pictures. Magic wands that write my paper for me. All those would be most appreciated.
inmyriadbits: oranges on blue (maskedsecrets)
I was in the middle of recommending Francesca Lia Block's YA novel I Was A Teenage Fairy over at [livejournal.com profile] cesperanza's GLBT lit rec request post, and I just had to go find my favorite passages from the book. The opening lines are this gloriously stylized anthropomorphization of Los Angeles and the San Fernando Valley. Block brings it up again later in the book to describe New York, too.

Los Angeles )


New York )

God, I love her writing.

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